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Earth Anthem is
an ongoing series of music and is above all an expression of beauty. Hurst
feels when the listener experiences these places through music, awareness is
heightened.
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In the words of Sufi Inayat Khan: Music ". . . . And what appeals to us in being near to nature is nature's music, and nature's music is more perfect than that of art. It gives us a sense of exaltation to be moving about in the woods, and to be looking at the green; to be standing near the running water, which has its rhythm, its tone and its harmony. The swinging of the branches in the forest, the rising and falling of the waves, all has its music. And once we contemplate and become one with nature our hearts open to its music." |
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Once the awareness of nature is sparked, Hurst believes people will come to realize this: If these magnificent places are taken for granted, neglected or lost, the music they make will also be lost. |
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The name
Earth Anthem
was coined immediately following the 1998 premier of the Sequoia
Rhapsody symphony. "The pieces
you create are anthems", remarked a close friend after the
performance. "Yes,
they are," said Hurst. "Earth
Anthems."
Hurst was fortunate to have a family who supported his love of music and
enjoyed leisure time in nature. Summers
were spent in the old-growth Sequoias along California's northern coast and camping in the State and National Parks throughout the
Western United States. These childhood experiences helped shape his sense of aesthetics as did
his appreciation of cultural monuments of bygone eras and the American
fascination with ethnic diversity.
All remain powerful forces in his music today. The music chronicles his impressions of supreme beauty. The Earth Anthem series is Hurst's way of sharing excerpts from his journal of "Magic Moments". With music, Paul beckons the listener to join him on an adventure, and the moment one suspends disbelief, imagination and reality merge. |
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Earth Anthem Series |
| Volume 1 | Sequoia Rhapsody -
Tone
Poem for Harp, Piano and Orchestra
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Sequoia Rhapsody was written in memory and tribute to the late De Wayne Fulton, teacher, mentor and friend. With harp, piano and orchestra Paul Hurst fashions a tone poem with the sensations and grandeur of the ancient forest. Sequoia Rhapsody is based on the interplay of two themes. One came from Fulton who had shared a beautiful melody heard in a dream. The other is the "bowing music" Hurst heard made by the Sequoias high in the forest canopy as branches were nudged by the wind.
Movement
3:
The Ancient Giants is the theme De Wayne heard in his dream.
Movement
5:
Song of the Sequoia . . . solo cello . . . plays the exact notes of the
"bowing music" as sung by the trees.
Movement 6: Twilight: Harper in the Woods - opens with a poignant solo harp improvisation played to the waning sun. (This solo was not part of the original score). |
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Paul
Hurst: "These solo improvisations I call "tone poems". They are
inspired by a place, a being, an experience through music. As I
begin to play, I have no pre-conception of what notes I will use.
I set my hands on the keyboard, let my fingers find the first notes.
Sometimes I hear in my head the next possibilities, other times I listen
to the spontaneous music coming from my fingers. The structure of
the piece takes on its own balance as the images in my mind unfold Half of this music is from recording sessions done in 1987, previously released on an album called October Light. Two of the improvisations October Light and Twilight are the original versions of the 1st and 6th movements of Sequoia Rhapsody. The others were done in 1999 at the end of a 6 hour harp recording session. Hurst recalls: "The sound engineer kindly allowed me to relax and rejuvenate by playing the piano. Eight months passed when I found this forgotten music in a pile of recording masters." It seems the recording equipment was left running at the end of the session and as the engineer recounts . . . "I realized Hurst was in that magic place where time stops and the musical images simply flow. I wanted to capture the spontaneity and power of the moment." These
new discoveries, combined with selections from Hurst's earlier piano
improvisations have become the second volume of the
Earth Anthe |
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Endless Sea is a celebration of the musical heritage of Japan. John Singer - Shakuhachi master, and Paul Hurst - harp master had a wonderful time exploring the interpretive possibilities with the fusion of classical instruments from two distinct musical traditions. By improvising their parts on the bamboo flute and harp, these familiar pieces take on a folk-like quality. The blend of the instruments was so exciting Hurst and Singer went on to play an impromptu piece called To Infinity. This album is an early work by these two masters, first released as Moonlit Castle. It has been re-mastered for compact disc and released as Endless Sea, the third volume of the Earth Anthem series. |
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This is EXCLUSIVELY ofered as an MP3 Album or individual Music Tracks. |
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